Guy Debord, “A User’s Guide To Détournement”
[…] Since opposition to the bourgeois notion of art and artistic genius has become pretty much old hat,  [Marcel Duchamp’s] drawing  of a mustache on the Mona Lisa is no more interesting than the original version of that painting. We must now push this process to the point of negating the negation.[…]
Guy Debord, “A User’s Guide To Détournement”
[…] Since opposition to the bourgeois notion of art and artistic genius has become pretty much old hat, [Marcel Duchamp’s] drawing of a mustache on the Mona Lisa is no more interesting than the original version of that painting. We must now push this process to the point of negating the negation.[…]